The Listomania I make the lists, you shoot them down. Quid Pro Quo.

13Nov/09Off

A Way for You All to Waste Time at Work

That's exactly what I want this blog to be.   More stuff, of course, personal lists yadda yadda and spreading work yackity yack. But let's waste some more time with another round of Guess The Next Song, which will be up later tonight. It's unlike anything else that's been on the list so far. It was written in the 70's, but it's not a cover. And a major lyric connects to a song by a band whose major lyric is about a kid in school. Da Vinci Code shit here.

Side note 1. Anyone having problems as far as load time now that we've moved to a 5 post page?

Side note 2: I'm taking this poll down tonight. Clear winner when you combine the two sections of the poll. I know there are still tech issues, I'm working on it.

13Nov/09Off

137. David Byrne and Brian Eno – Strange Overtones

Sometimes, I judge shit without listening to it. Yeah, I said it. We all do it. I’m not saying I would represent like I had heard something I hadn’t. But sometimes I will hesitate to listen to music based on what I assume it sounds like.

What a massive mistake that was with this song. I had listened to Byrne and Eno’s other work, like My Life in the Bush of Ghosts, and I knew a good amount of Talking Heads (Remain in Light, best album of the 80’s? Close.) But judging on that previous material, I came really late to the jam on this single from their 2008 collaboration Everything That Happens Will Happen Today. I thought, it’s either going to be a lame TH recreation and make me regret not being alive and in New York and on drugs in 1980, or it’s going to be, uh, kind of boring and a little weirdly religious. So, so wrong. Well, not on the weird religion thing so much.

“Strange Overtones” is a neo-gospel boogie that shatters expectations. Starting out with a bounce that evokes images of the Fantasia ballet hippos and the kind of trampolines that are guaranteed to break your leg in a neighbor kid's backyard, the song grooves lighter than anything this side of, well, groovier Talking Heads material. David Byrne’s falsetto floats over bubblegum bass and fluttering synth strings, testifying to a brand new audience - a congregation of indie kids with hair in their eyes and Deerhunter in their iPods. Backed by mile-high piles of Byrne’s voice and Eno’s electronics equipment, “Strange Overtones” reaches gospel heights unheard of for Byrne and Eno’s previous work and injects the contemporary alternative landscape with a dose of much needed old school, old guy soul. Getting to it a few months earlier might’ve been nice.